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A Stimulating Encounter: The Woman and the Fierce Hanuman, Kalighat style by Manoranjan Chitrakar


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Size : Medium
Dimensions : H: 14(in) W: 11(in)
Medium : Natural Colors on Paper

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About the Artwork +

Live the mesmerizing essence of Kalighat Patua Painting, where tradition and storytelling come alive on a canvas of vibrant colors and intricate motifs. In this exquisite handpainted artwork by the renowned artist Manoranjan Chitrakar, a powerful narrative unfolds before our eyes. A courageous woman fearlessly engages with a ferocious Hanuman, perched atop a tree. The contrasting hues of red and black dominate the composition, capturing the intensity of the encounter. The bold brushstrokes and striking lines showcase the dynamic energy inherent in this folk art style. Kalighat Patua Painting, originating from West Bengal, India, holds a rich cultural heritage. Rooted in storytelling and folklore, these artworks were historically created by the Patuas, a community of traveling artists who would sing and depict tales from mythology and everyday life. Their distinct style features exaggerated figures, expressive faces, and a captivating blend of reality and fantasy. Manoranjan Chitrakar, a skilled practitioner of this centuries-old art form, breathes new life into the tradition with his contemporary interpretation. Through his brush, he not only preserves the essence of Kalighat Patua Painting but also infuses it with a touch of modernity, attracting a wider audience to appreciate its cultural significance.

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All artworks on the website are hand painted from scratch by our master artists. That makes every artwork absolutely unique and the actual colour and overall artwork may vary slightly from the artwork image posted here.


Manoranjan Chitrakar blue-tick

Manoranjan
"In West Bengal, the word chitrakar refers to pattachitra painters. We have taken Chitrakar as our last name for hundreds of years" says Manoranjan aka Manu Chitrakar, who has been painting for 30 years since the age of 15. He enjoys depicting societal themes in his works. Manuji has travelled across India, as well as to Sweden and Paris. The Bengal Pattachitra is a visual and oral art tradition practised by West Bengal's Patuas or Chitrakars. Patua painters, who are Muslim by faith, represent a distinct and secular art history. They make a living by painting and singing stories from Hindu mythology, local folklore, Sufi tradition, and modern issues. Though the origins of the Patua tradition have been difficult for art historians to trace, some suggest the oral form dates back to the 10th or 11th century CE. The physical evidence of a scroll, on the other hand, does not occur until the 18th century CE.   Manoranjan Chitrakar Instagram

Kalighat


Kalighat painting is a traditional art form that flourished in the vicinity of the Kalighat Kali Temple in Kolkata, India, during the 19th century. It is characterized by its bold lines, vibrant colors, minimal background details, and distinctive style. Jamini Roy was one of the artists greatly influenced by this style. Moreover, the themes of the Kalighat painting range from religious stories to social satires. Goddess Kali, Babu & Bibi, and Cat with the Fish are some of the well-known illustrations in this craft. History and Legend Kalighat painting began as a form of devotional art inspired by the pilgrimage to the Kalighat Temple. Pilgrims sought souvenirs to reminisce about their visits, leading to the creation of budget-friendly, portable artworks. Over time, these paintings evolved into a distinct style, reflecting the cultural and religious ethos of the region. Methods and Techniques Kalighat paintings are known for their simplicity and spontaneity, created using natural pigments on paper or cloth. The artists, known as 'patuas' or 'kalighat painters,' often worked in groups with shared responsibilities of mixing dyes, drawing lines, or filing up the colors. In the search for income, these craftsmen catered to British patrons at one point, incorporating elements of European realism and secular subjects into their craft. The secular subjects like English sahibs riding elephants, wealthy Calcutta babus (liberalists), and fraud sadhus (holy men) succumbing to base desires reflect the social concerns of that period. Decline and Revival The art form of Kalighat declined due to the advent of cheaper wood prints and machine-printed alternatives by the early 20th century. However, in recent decades, efforts have been made to revive the Kalighat painting tradition by artists, government, and art connoisseurs. The combined efforts through exhibitions, and workshops have helped in showcasing the unique identity of Kalighat painting and regain its lost legacy.  FAQs How do Kalighat paintings differ from other Indian art forms? Kalighat paintings are distinct for their simplistic yet expressive style, characterized by bold outlines, flat colors, and minimal background details. Unlike other intricate Indian art forms, Kalighat paintings focus more on the portrayal of subjects with a sense of immediacy and movement. Are Kalighat paintings suitable for home decor? Yes, Kalighat paintings are excellent for home decor due to their vibrant colors and striking imagery. They can add a touch of traditional Indian art and cultural richness to any living space. Can I commission a custom Kalighat painting from your artists? Yes, MeMeraki accepts commissions for custom Kalighat paintings. You can provide specific details and themes, and the artist will create a piece tailored to your preferences.  



Product Details

Title A Stimulating Encounter: The Woman and the Fierce Hanuman, Kalighat style by Manoranjan Chitrakar
Artist Manoranjan Chitrakar
Art Style Kalighat
Medium Natural Colors
Size Medium
Dimension 14 in(H) X 11 in(W)
Themes Hanuman, Woman, Tree
Color Blue, Brown, White, Multicoloured
Country of Origin West Bengal, India

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