Mapping India’s Arts and Crafts Heritage through G.I. Tags

India is a country bestowed with abundant culture, tradition and heritage. The enormous  diversity seen in India is a testimony to its rich history. It is the fusion of traditional pasts and customs that today the country enjoys numerous arts, crafts and handicraft traditions. These aspects are significant in understanding the core principles and beliefs a country adheres to. Given the expansive culture of India, it would turn out to be an arduous task to recount every arts and crafts tradition of the country. However, we strive here to list some of the few important arts and crafts products awarded with the Geographical Indication (G.I.) tag by the Government of India. 

G.I. tags are an important mark of the authentic traditional arts and crafts products made in various regions of India. All handicraft products of India have their roots in certain areas and traditions. The process of granting certain products a G.I. tag helps protect the Indian crafts, helps the region and its people get the recognition they deserve. It also aids in growing the visibility of those products in the global market. 

Here we have listed a few of many such products: 

Arunachal Pradesh

 

Handmade Carpet 

These carpets are handmade by the Tibetan refugees residing in the state of Arunachal Pradesh. The carpets are made in a special way using the knot-technique, while organic colours are used to dye the carpets in elegant colours. The designs on the carpets are symbolic of the nature and biodiversity of the region and the flower motifs are a usual occurrence. 

 

Hand Knotted Carpet of Arunachal Pradesh

 Hand Knotted Carpet of Arunachal Pradesh

 

Wancho Wooden Craft

The Wancho wooden craft is a technique of making human and animal sculptures from wood. It is primarily done by the Wancho tribe (also known as Wancho Naga)  of Arunachal Pradesh. One of the central motifs of this wood carving tradition is the head-hunting scenes. This craft is deeply rooted in the socio-ethnic culture of the Wancho tribe. The carvings made from this technique are primarily used as decorative pieces for houses and also as special gifts.

 

Wancho Wooden Craft

Wancho Wooden Craft 

 

Assam

 

Majuli Manuscript Painting

Dating back to the sixteenth century, this art form is named after the largest river island in the state of Assam called Majuli. The art form flourished under the patronage of the Ahom-Koch kings, and was widely used to decorate their courts. Today, it is still practised in the monasteries of Majuli. These paintings are generally done on the barks of agarwood trees (also called sanchi pat). Scenes from Hindu epics such as Mahabharata, Ramayana and Bhagavat Purana were illustrated in these paintings.

 

Gajendra Moksha: ASSAMESE MANUSCRIPT PAINTING BY MRIDU MOUCHAM BORAMajuli Paintings, Assam

 

Jharkhand

 

Sohrai Khovar Painting

This unique style of mural painting, made by the local tribal women of Barkagaon block in the Hazaribagh district. It is  generally associated with harvest season and marriage rituals. These murals are made with using indigenous ingredients like natural soils of varying colours such as yellow, black, white and red. 

 

Sohrai, JharkhandSohrai, Jharkhand 

 

Odisha

 

Kapdaganda Shawls

Made by the women of the Dongria Kondh tribe hailing from the Niyamgiri hills of Odisha’s Rayagada and Kalahandi districts, Kapdaganda shawls have recently been granted the GI tag. These shawls are usually made from a coarse off-white fabric with diagonal satin stitches of red, yellow and green threads. Adorned with beautiful geometrical patterns of lines and triangles, these designs are symbolic of the trees and mountains in the area and the importance that nature holds for the tribe. 

 

Kapdaganda, Odisha

Kapdaganda, Odisha 

 

Odisha Ikat 

A tie-and-dye technique of handloom weaving, Ikat is also known as ‘Bandha’ in the traditional Odia language. This technique involves the dying of yarn in a zig-zag manner made of cotton or silk fabric. The blurry and colourful patterns that are woven within the fabric make for unique designs for sarees. 

 

kat, Odishakat, Odisha

 

Lanjia Saura Painting

A distinctive style of mural painting, this art form comes from the Lanjia Saura tribe in the Rayagada district of Odisha. Also known as ‘Idital’, these paintings are made on the mud walls of people’s homes. These paintings generally include figures of gods, spirits, animals, humans and nature. They are painted with stark white paint over crimson backgrounds.

 

Lanjia Saura Painting, Odisha 

 

Rajasthan 

 

Udaipur Koftgari Metal Craft 

The age-old craft of Koftgari has been practised for years and is mainly utilised to adorn the weaponry of the Rajasthani warrior clans, Rajputs. Koftgari essentially means to encrust one type of metal over the other. Originating from the city of Udaipur in Rajasthan, this craft is usually practised by the Gadi-Lohar community, a group of generational traditional armourers. 

 

Koftgari, RajasthanKoftgari, Rajasthan 

 

Bikaner Kashidakari Craft

Made by the Meghwal community of Rajasthan, Kashidakari craft is well known for its attractive and colourful mirror work as well as stitching. Native to the city of Bikaner in Rajasthan, the craft boasts of traditional designs made on cloth. This craft is seen on various merchandise related to special occasions such as marriages and other gift items. 

 

Kashidakari, Rajasthan

 

Jodhpur Bandhej

It is a unique form of tie-dye that incorporates an ethnic twist to it. Considered a popular cultural heritage originating from Jodhpur in Rajasthan, this craft produces an alluring array of patterns on cloth. From dots to various patterns of swirls, this labour-intensive technique requires the manipulation of cotton threads on cloth to develop unique designs. This style is used to create numerous traditional clothes, such as kurtas, dupattas, sarees etc. 

 

Tie and Dye, RajasthanTie and Dye, Rajasthan 

 

Tamil Nadu 

 

Thanjavur Painting

Thanjavur paintings, also known as Tanjore paintings, are generally used to create portraits of Hindu deities, such as Lord Krishna, Goddess Saraswati, Lord Ganesha etc. Done on wooden boards, it requires the use of beaten gold leaves to highlight certain aspects of the deities, for instance, their ornaments or their attire. Semi-precious stones are used to adorn the images.

 

Tanjore, Tamil Nadu 

 

Thanjavur Doll

Native to the region of Thanjavur, these are traditional Indian dolls made from tapioca flour, papier-mâché and Plaster of Paris. A nineteenth-century craft, it was brought to Thanjavur during the reign of King Sarafoji. These dolls come in two variations: the bobblehead dolls and the tilting dolls. Highly skilled artisans are required to make their intricate garments and jewellery. 

 

Thanjavur Dolls, Tamil Nadu 

 

Mahabalipuram Stone Sculpture 

It is a type of stone carving that originated during the Pallava era in the Mahabalipuram region of Tamil Nadu. Certain characteristics typical to this form of stone-carving are slender male and female sculptures with curvaceous bodies and sharp noses, long eyes, wide foreheads, oval faces and long hanging ears. The sculptures generally carve the images of deities and scenes from Tamil literature.

 

Mahabalipuram Stone Sculptures, Tamil NaduMahabalipuram Stone Sculptures, Tamil Nadu 

Toda Embroidery

Toda embroidery, or Pohor, as it is called in traditional Toda language, is done on garments by women of the Toda tribe residing in the Nilgiri Hills of Tamil Nadu. It is considered a garment that is worn only on special occasions. The embroidery is characterised by geometrical shapes woven into an unbleached white cotton fabric. It has distinctive patterns in red, black and occasionally blue colours. What seems like simple lines and figures to us, have a special meaning to those belonging to the tribe. 

 

Toda embroidery, Tamil NaduToda embroidery, Tamil Nadu

 

Uttar Pradesh

 

Lucknow Chikan Craft

Chikankari is an exceptional type of embroidery, generally done on white fabric using white thread. Lucknow is known for producing some of the most exquisite Chikankari embroideries. The designs mostly constitute intricate and gentle floral patterns. Owing its origin to Noor Jahan, chief consort of Jahangir, today the embroidery is done on daily wear apparel such as kurtas, sarees, and many more. 

 

Chikankari, Uttar PradeshChikankari, Uttar Pradesh 

 

Varanasi Soft Stone Jali Work 

Originating from the Ramnagar fort area of Varanasi in Uttar Pradesh, this Jali or fretwork constitutes a detailed and intricate carving on soft stone done by highly skilled craftsmen. These carefully chiselled stone-craftings adorned with fine inlay work are included in various small objects of utility and decoration such as table tops, boxes, coasters, trays, etc. It is also used in making sculptures of birds, animals and other statues. 

 

Varanasi Soft Stone Jali Work, Uttar Pradesh Varanasi Soft Stone Jali Work, Uttar Pradesh 

 

Banaras Metal Repoussé Craft

Originating from old Varanasi (Banaras), the craft is a product of generational legacy. Primarily done by the Kasera community of Varanasi, Metal Repousse is principally the art of embossing on metals. This art is mostly seen in Indian temples and is also used to make decorated kettles, utensils, boxes, jugs and sculptures of various gods and goddesses.

 

Repousse Craft, Uttar PradeshRepousse Craft, Uttar Pradesh 

 

Handmade Carpets of Bhadohi 

These hand-knotted carpets from Bhadohi in Uttar Pradesh, are made out of wool and cotton yarns. The making of these carpets includes a quintessential technique of using knots and an iron punja (a comb-like object to tighten the knots). The designs of the carpets are intricate and symmetrical with flowers, trees, depictions of gardens, animals and trelliswork. 

 

Handmade Carpets, Uttar PradeshHandmade Carpets, Uttar Pradesh 

 

India is home to more than 3000 arts and crafts traditions and awarding them with Geographical Identification tags helps in their documentation, promotion and preservation. This list is not exhaustive and will continue to grow as more arts and crafts are awarded with the G.I. tags. 

 

References

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