Lord Krishna In Bengal Pattachitra By Manoranjan Chitrakar


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Size : Large
Dimensions : H: 60 (in) by W: 14(in)
Medium : Natural Colors on Paper

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About the Artwork +

This vibrant Bengal Pattachitra painting by Manoranjan Chitrakar is a visual feast that celebrates the rich heritage and traditional narratives of West Bengal through intricate artistry and storytelling. Pattachitra, known for its detailed and vibrant depictions, is a traditional art form with roots that trace back to ancient times, often focusing on mythological and folklore themes. The vertical composition of this artwork is structured into multiple panels, each telling a part of a larger story. The use of natural colors and traditional motifs are evident in the depictions, showcasing scenes likely related to the life and exploits of Lord Krishna, a common and beloved subject in Pattachitra paintings.

The topmost segment appears to depict a celebratory scene, with Lord Krishna, distinguishable by his blue skin, playing a flute surrounded by gopis (cowherd girls). The joy and festivity of the moment are captured through expressive faces and lively postures, highlighting an idyllic, pastoral setting. illustrate a scene where Krishna is performing a divine or heroic act, potentially a reference to a popular narrative like the subjugation of the serpent Kaliya. The dynamic interaction between the characters and the detailed representation of the serpent convey drama and action. the scene shifts to what appears to be a ritualistic or religious gathering. Several figures are seated with folded hands, suggesting reverence or prayer. The central position of a food offering or a significant object may indicate a moment of worship or communal festivity. Lord Krishna is engaged in playful activities with his devotees under a tree, echoing the bucolic, serene life of Vrindavan. The tree possibly symbolizes shelter and the nurturing environment provided by nature, reinforcing the theme of harmony between human and divine. The final panel is another festive gathering, featuring dance and music, core elements of Krishna's tales. The vivid expressions and rhythmic poses of the characters encapsulate the joyous essence of these stories, celebrating life and spirituality.

Manoranjan Chitrakar's meticulous brushwork and keen eye for vibrant detailing breathe life into each segment of this painting. The artist skillfully uses bright colors such as red, green, and blue, typical of Pattachitra, to evoke emotions and enhance the storytelling. The symmetry and balance in the composition create a sense of continuity and progression, guiding the viewer seamlessly through the different phases of the narrative.

Through this painting, Chitrakar conveys more than just mythological tales. He illustrates the timeless relevance of these stories in imparting moral and spiritual values. The consistent theme of community and divine interaction emphasizes unity, devotion, and the celebration of a shared cultural heritage. Moreover, the meticulous detailing and traditional techniques pay homage to the longstanding legacy of Pattachitra art, showcasing its evolution and enduring charm.

In conclusion, this Bengal Pattachitra painting by Manoranjan Chitrakar is not just an artwork but a narrative tapestry that weaves together myth, tradition, and artistic brilliance, preserving and celebrating the cultural ethos of Bengal through its vivid and expressive imagery.


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Manoranjan Chitrakar blue-tick

Manoranjan
"In West Bengal, the word chitrakar refers to pattachitra painters. We have taken Chitrakar as our last name for hundreds of years" says Manoranjan aka Manu Chitrakar, who has been painting for 30 years since the age of 15. He enjoys depicting societal themes in his works. Manuji has travelled across India, as well as to Sweden and Paris. The Bengal Pattachitra is a visual and oral art tradition practised by West Bengal's Patuas or Chitrakars. Patua painters, who are Muslim by faith, represent a distinct and secular art history. They make a living by painting and singing stories from Hindu mythology, local folklore, Sufi tradition, and modern issues. Though the origins of the Patua tradition have been difficult for art historians to trace, some suggest the oral form dates back to the 10th or 11th century CE. The physical evidence of a scroll, on the other hand, does not occur until the 18th century CE.   Manoranjan Chitrakar Instagram

Product Details

Title Lord Krishna In Bengal Pattachitra By Manoranjan Chitrakar
Artist Manoranjan Chitrakar
Art Style Bengal Pattachitra
Medium Natural Colors
Size Large
Dimension 60 in(H) X 14 in(W)
Themes Krishna
Color Multicoloured
Country of Origin West Bengal, India
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