purchasing a copy of 'Reflections of Tradition: A Kaleidoscope of Stories in Kalighat Style Patua Painting' to add to my art collection.
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Reflections of Tradition: A Kaleidoscope of Stories in Kalighat Style Patua Painting by Manoranjan Chitrakar


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Size : Medium
Dimensions : H: 20 (in) W: 14 (in)
Medium : Natural Colors on Paper

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About the Artwork +

"Miracle" exemplifies the fusion of tradition and contemporary themes, showcasing the enduring allure of Kalighat Patua art in this . This mesmerizing artwork, paintMiracle Handpainted in Kalighat Style Patua Paintinged on delicate paper, showcases the unique charm of the Kalighat style—a traditional art form from West Bengal, India. In this enchanting scene, a colorful woman gazes intently into her mirror, reflecting a myriad of emotions. Meanwhile, a mischievous man peeks through the window, adding an element of surprise to the composition. Manoranjan Chitrakar's skillful brushwork and keen attention to detail bring these characters to life, evoking a sense of wonder and intrigue. The Kalighat Patua style is renowned for its vibrant color palette and intricate patterns. Chitrakar expertly employs rich hues, ranging from sky-blues to fiery golden yellows, which symbolize the complexities of human emotions. The figures' expressive eyes and exaggerated features convey a deep narrative, capturing the essence of everyday life and folklore. Rooted in a centuries-old storytelling tradition, Kalighat Patua painting originated in the vicinity of the Kalighat Kali Temple in Kolkata. The art form developed as a means for itinerant Patuas (folk artists) to convey moral, social, and political messages to the masses. Today, these paintings continue to enthrall art enthusiasts worldwide with their timeless tales and vibrant aesthetics.

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    Manoranjan Chitrakar blue-tick

    Manoranjan
    "In West Bengal, the word chitrakar refers to pattachitra painters. We have taken Chitrakar as our last name for hundreds of years" says Manoranjan aka Manu Chitrakar, who has been painting for 30 years since the age of 15. He enjoys depicting societal themes in his works. Manuji has travelled across India, as well as to Sweden and Paris. The Bengal Pattachitra is a visual and oral art tradition practised by West Bengal's Patuas or Chitrakars. Patua painters, who are Muslim by faith, represent a distinct and secular art history. They make a living by painting and singing stories from Hindu mythology, local folklore, Sufi tradition, and modern issues. Though the origins of the Patua tradition have been difficult for art historians to trace, some suggest the oral form dates back to the 10th or 11th century CE. The physical evidence of a scroll, on the other hand, does not occur until the 18th century CE.  

    Kalighat


    Kalighat painting is a traditional art form that flourished in the vicinity of the Kalighat Kali Temple in Kolkata, India, during the 19th century. It is characterized by its bold lines, vibrant colors, minimal background details, and distinctive style. Jamini Roy was one of the artists greatly influenced by this style. Moreover, the themes of the Kalighat painting range from religious stories to social satires. Goddess Kali, Babu & Bibi, and Cat with the Fish are some of the well-known illustrations in this craft. History and Legend Kalighat painting began as a form of devotional art inspired by the pilgrimage to the Kalighat Temple. Pilgrims sought souvenirs to reminisce about their visits, leading to the creation of budget-friendly, portable artworks. Over time, these paintings evolved into a distinct style, reflecting the cultural and religious ethos of the region. Methods and Techniques Kalighat paintings are known for their simplicity and spontaneity, created using natural pigments on paper or cloth. The artists, known as 'patuas' or 'kalighat painters,' often worked in groups with shared responsibilities of mixing dyes, drawing lines, or filing up the colors. In the search for income, these craftsmen catered to British patrons at one point, incorporating elements of European realism and secular subjects into their craft. The secular subjects like English sahibs riding elephants, wealthy Calcutta babus (liberalists), and fraud sadhus (holy men) succumbing to base desires reflect the social concerns of that period. Decline and Revival The art form of Kalighat declined due to the advent of cheaper wood prints and machine-printed alternatives by the early 20th century. However, in recent decades, efforts have been made to revive the Kalighat painting tradition by artists, government, and art connoisseurs. The combined efforts through exhibitions, and workshops have helped in showcasing the unique identity of Kalighat painting and regain its lost legacy.  FAQs How do Kalighat paintings differ from other Indian art forms? Kalighat paintings are distinct for their simplistic yet expressive style, characterized by bold outlines, flat colors, and minimal background details. Unlike other intricate Indian art forms, Kalighat paintings focus more on the portrayal of subjects with a sense of immediacy and movement. Are Kalighat paintings suitable for home decor? Yes, Kalighat paintings are excellent for home decor due to their vibrant colors and striking imagery. They can add a touch of traditional Indian art and cultural richness to any living space. Can I commission a custom Kalighat painting from your artists? Yes, MeMeraki accepts commissions for custom Kalighat paintings. You can provide specific details and themes, and the artist will create a piece tailored to your preferences.  



    Product Details

    Title Reflections of Tradition: A Kaleidoscope of Stories in Kalighat Style Patua Painting by Manoranjan Chitrakar
    Artist Manoranjan Chitrakar
    Art Style Kalighat
    Medium Natural Colors
    Size Medium
    Dimension 20 in(H) X 14 in(W)
    Themes Woman
    Color Multicoloured, White, Black, Yellow
    Country of Origin West Bengal, India

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